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Interview: SF Said on The Children’s Bookshow

As a children’s author, I visit schools up and down the country every week, talking to children about reading and writing and books.  The Children’s Bookshow organises brilliant large-scale events, where children from many schools come together in a fantastic venue to see an author, and then we do follow-up workshops in their classrooms.  Last year, I did this in Coventry, and it was one of the most exciting and rewarding events I’ve ever done, so this year, I’m delighted to be doing it again in Peterborough!

The Children’s Bookshow gives every single child who participates a free copy of a book written by the author they’re seeing.  I think this is beyond wonderful!  Normally when you do events, some kids get a book and some don’t.  But with The Children’s Bookshow, access to books is equal for everyone.  For some children, this will be the first book they’ve ever owned.  And we know from the research that reading for pleasure has the biggest positive impact of any factor on children’s life chances, so you can’t put a price on that – it really is life-changing!

I write the books that I want to read myself!  My first book, Varjak Paw, was about a cat who dreams of being a great warrior, and learns a secret martial art known only to cats.  My newest book, Tyger, is about a boy, a girl and a tyger who change the world.  With each book I write, I want it to be the very best book it can be, so I do everything I can to make it as good as I can.  That takes me many years, and many drafts.  The thing I enjoy most is hearing responses from readers – it makes all the hard work of writing feel more than worthwhile! 

I was very lucky, because everyone in my family loves books and stories, so I grew up surrounded by them.  Reading always seemed like fun to me, and I think that’s the best tip I can give you: never make reading seem like hard work, or a punishment!  Let it be fun.  Give children access to the widest possible range of books, let them choose freely for themselves, and then let them read for pure pleasure, with no strings attached.  If you do this, even the most reluctant readers might just surprise you – I’ve seen it happen many times!

There are several great ways to get involved with The Children’s Bookshow this year. Firstly, I’d encourage everyone to check the website to see if the 2025 tour is coming to a venue near you. If it is, why not tell your teacher or school librarian? They might be able to organise a school trip.

Even if you can’t make it to a live event, you can still be part of the experience by exploring The Children’s Bookshow website. There are fantastic photos and write-ups of all the events, so you can see what happens at the shows and discover new books and authors.

The website is also packed with great resources and activities around the featured books – for example, there are some Tyger resources on there now. At the end of the tour there will be a creative competition that is open to everyone to enter too. Last year’s winner got to meet Michael Rosen!

Like all writers, I’m really just a reader who took one more step.  I wanted to pass on the excitement I felt when I read my favourite books, like Watership Down, or saw my favourite films, like Star Wars.  My current project is very much connected to Tyger.  It’s not a sequel, or a prequel – it’s a parallel story set in another alternate world.  I feel sure it’s going to be my best book yet when it’s done, but it’s not there yet – it takes as long as it takes to make a book as good as you can make it!

First, forget about writing! Just think of yourself as a reader, and ask yourself, as a reader, if you could have any story to read, what would it be?  Whatever the answer (and there are no wrong answers), I think you should then write that story yourself.  And finally, keep working on it, draft after draft, until it’s as good as you’d want a story to be, as a reader.  That’s really all I do, as a writer – and young readers can do it too, at any age!

SF Said’s first book, Varjak Paw, won the Nestlé Smarties Prize for Children’s Literature, and was listed by BookTrust as one of the 100 best children’s books of the past 100 years.  The Outlaw Varjak Paw won the BBC Blue Peter Book Of The Year; Phoenix represented the UK on the IBBY International Honour Book List; while his most recent book Tyger won Children’s Book Of The Year at the British Book Awards, Children’s Book Of The Year at The Week Junior Book Awards, and the Foyles Children’s Book Of The Year.

Keep up to date with SF Said on his website.

PaperBound Magazine is an online magazine and blog for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

article, Blog, Blog series, Bookshelf, Interview, Interviews, on writing, Writing craft

Interview: Best of All Worlds by Kenneth Oppel

It’s a survival thriller in which Xavier, my teenaged hero, wakes one morning to find that his family’s lakeside cottage has been moved somewhere completely different. When he, his father, and heavily pregnant stepmother go to explore, they find themselves on a farm – hens, two Nubian goats, thriving crops! When they wander further, they realize they’re trapped inside a dome.

I wondered how people would react to finding themselves in an inexplicable situation – what kind of story you’d need to tell yourself to make sense of it, what your plan of action would be. I also wrote the novel because I was fed up with conspiracy theorists, science deniers (especially deniers of climate change), and people who mangled the concept of freedom to justify hate, racism, and blatant self-interest. The world is hard enough for adults to navigate; for kids it must be even more bewildering, being deluged with misinformation.

Oh yes! I learned a lot about sustainable farming, the best kind of milk goats to get (also how to breed, castrate and butcher them). I read about the best time to plant certain crops and harvest them. I went down way to manner research rabbit holes. I also, sadly, had to research various conspiracy theories and the people who perpetrated them.

I am a big plotter and planner, and spend a lot of time “daydreaming” the world of the story before I start chapter one. But during the writing there are always delightful surprises. The biggest was probably the decision to introduce another family into the dome, one that had vastly different values than the first.

Usually the concept or setting. Best of All Worlds was definitely concept; books like Airborn and The Boundless were the settings.

Don’t expect it to be perfect the first time. If you get stuck somewhere in the story, jump to another place. Get as much feedback as possible from trusted readers.

Having a book in outer space. Airborn went to the ISS for six months with Canadian astronaut Robert Thirsk, and I got to meet him afterwards, and see my space book – though sadly they didn’t let me keep it!

I have a couple novels vying for attention at the moment. One involves U-Boats, the other a young rock band behaving badly.

Kenneth Oppel is the bestselling author of many books, including Airborn, which won the Governor General’s Award for children’s literature and a Michael L Printz Honor Book Award, and the Silverwing trilogy, which has sold over a million copies worldwide. Some of his other books include Ghostlight, The Boundless, Every Hidden Thing, and Inkling. The Nest and Half Brother both won the Canadian Library Association’s Book of the Year for Children Award. Kenneth lives in Toronto with his family.

PaperBound Magazine is an online magazine and blog for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

Island of Influencers by Monique Turner
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Interview: Island of Influencers by Monique Turner

I’m a curious person by nature, and the concept of influence is something I’ve studied in depth. What makes this person’s message so hard to ignore? Why have the masses flocked to this ideology? I can’t rest until I find an answer, and this research is what led me to helping create informative videos on YouTube. The realms of social media are the perfect place to observe human behaviour, especially in regards to influence.

I started working behind the scenes of YouTube channels as both a personal assistant and a scriptwriter, and I was lucky enough to witness influence from inside the fishbowl. Suddenly, I had access to the private aspects of human behaviour through direct messages and emails, and it was fascinating to learn how many people wanted to live the influencer lifestyle and, in contrast, how many people had absolute disdain for anyone who did.

I began writing Island of Influencers as a way of responding to the desires of the masses on the outside looking in, and to process everything I was part of. Harper, my protagonist, is a reflection of all the people wanting to be inside the influencer world – yearning, desperate and naive. Belle, her famous cousin, is the antithesis of that fairytale – she’s the harsh reality that Harper refuses to see until it’s too late for both of them.

Island of Influencers is the result of years of social media observation and study of human behaviour, broken down into a fun, bite-sized concept that can be consumed by anyone who is remotely interested in internet culture.

Thank you! I had so much fun creating my characters, including their usernames, Tubeify channel niches, and even their channel logos.

Readathorien is my personal favourite! Obviously, I’m a huge book nerd, and I often consume booktube, booktok, and bookstagram content, so her username had to reflect her online niche. The username Readathorien is based off the viral fantasy series A Thorien of Witchers (a fictional book I created for my world), and her channel on Tubeify was started based around this series, so her fanbase is the same fanbase for the book series. Her username was birthed from the concept that art breeds more art, and I live for art that transcends its original format, when the work takes on a life of its own and the fans create new space for it all over the web to theorise about and build upon the lore.

Sssiguard has a reactions channel on Tubeify. His username is based off the Scandinavian name Sigurd, derived from the Old Norse name Sigurðr which means “victory” and “guardian”. From the get-go, Sssiguard sees himself as the victor, even before the competition has begun, and the triple ‘S’ comes from the sound made by a snake. Sssiguard’s actions in the book can be very sssnake-like. I changed ‘gurd’ to ‘guard’ because I wanted to emphasis that he sees himself as the guardian of his internet niche. In his eyes, reactions are his territory (proven in the Cancelled Club challenge).

Unlike Readathorien’s username, which is based off her niche, I wanted Sssiguard’s to be based off his personality.

Kottage Kay’s username is interesting, because how lucky is it that she has a name (Kay) that, when paired with a slightly altered spelling of cottage, so perfectly fits with her cottagecore channel niche! It’s almost like it was given to her by the gods, manufactured in some way, like she’s an industry plant destined to succeed in whatever she does. Who knows!

Absolutely! The Hunger Games is a series that captivated me when it was first released. I couldn’t help but compare it to my own world. I can see the parallels even clearer now as I grow older, and for me, the internet is a very dystopian place, so merging the two concepts together just worked.

Obviously, my main inspiration was YouTube, specifically large-scale competition games with huge stakes and disgusting sums of money to be won. That’s the foundation of the novel.

But this book was also inspired by George Orwell’s Nineteen-Eighty-Four, Joseph Heller’s Catch-22, and Ray Bradbury’s Fahrenheit 451. All of these books deal with censorship, how easy it is to influence a society, control through media, getting stuck in systems that benefit only the rich and powerful, and how certain tools and technologies can be used to distract the masses from the realities of the world.

Music has also inspired many of the stories I’ve written, Island of Influencers included. This one is hard to explain, but sometimes I just stumble upon a song and something about the musical composition or the lyrics just invokes this whirlwind of activity in my brain. In the duration of that three minute song, I can create an entire world and storyline based on the vibe, and then magic just happens.

While writing the beginning of Island, I listened to loads of songs where the lyrics focused heavily on success, status and money, but I then switched to cinematic, epic instrumental pieces as I transitioned into act three, which really helped to unfurl the humour of the novel and reveal the darkness hidden beneath.

It’s already changing, without a doubt! Technology has advanced so rapidly within the span of my own lifetime, and today the changes are almost daily. Trends come and go quicker than you can jump on the bandwagon, the algorithms switch-up before you can even figure them out, and the days of old-Hollywood celebrity have been replaced by overnight successes who fade from relevance just as quickly as they appeared on our screens.

The internet has become an uncontrollable beast and people are tired. We’re overwhelmed with content now and it’s getting harder to discern what is genuine, relatable content, and what is actually marketing and promotion disguised as genuine, relatable content. There’s been a radical change in how people engage online, there’s less connection between creator and consumer and we’re seeing a rise in passive lurking and low conversion rates from views to shares, comments and likes on all forms of content.

People looking to become content creators or influencers are trying to go too big too soon these days, everyone wants their first video/ book/ song/ post to be a viral hit, and to gain millions of followers and subscribers overnight. That isn’t sustainable, and we’ve seen evidence of that through those who have gone viral overnight and then fallen short because they have no catalogue behind them to be able to keep the momentum going.

Personally, I think we need to go back to the drawing board and remember what made the early days of social media so great. The audience doesn’t want to be mindlessly sold to, they don’t want to feel like a number on a page, or like they’re the product of a strangers empire. People want to feel seen and valued by the creators they follow. There’s no better feeling than watching your favourite content creator rise from nothing into the stratosphere, to feel like you’re part of something that others on the outside don’t understand. 

My best advice to anyone who wants to become a content creator is this: don’t aim to grow a fanbase, aim to create a community of like-minded people. That might mean that you start with two of your mates engaging with your stuff, and then a third and fourth person might find you organically, and then soon you’ll have ten people engaging with your content, and then fifty. It’s the snowball effect. It’s slow and frustrating, and the outer shell might flake away and change, but the core is solid.

I’m looking forward to the days of social media where creators are focusing on community again, and not just spewing out content for the sake of making a profit.  

The ending was my favourite part to write, simply because I knew it would throw people for a loop. To me, the whole novel is obscure, but the darkness in the first three-quarters is blanketed by humour and absurdity which puts the reader at ease, and when that blanket is lifted toward the end, it’s unsettling. It comes across as quite jarring, but the darkness was always there.

I mentioned in a previous answer that I was inspired by Joseph Heller’s Catch-22. I love how Heller used satire to draw attention to and criticise certain aspects of society and human behaviour. It’s the same tactic a magician uses, a slight-of-hand trick. 

In Island of Influencers, I said, “Look over here at this ridiculous, entertaining thing while I do something underhand in the shadows,” and then by the time the reader and the characters notice, it’s already too late. The seeds were sown from the first page and, in the end, we all must reap what we sow. 

Funnily enough, this is also a tactic used by those in power in our real world. What’s the best way to assert control over the masses without anyone noticing or putting up a fight? Distract the people elsewhere.

And as for Harper, does she regret becoming an influencer in the end? I think that’s open for interpretation. She got everything she ever wanted, her dream came true after years of trying to make it happen, but it came at a cost. Only the one who pays the price can decide whether it was worth it.

Personally, I would never want for myself what she now has. 

Some readers might feel cheated by the end, because of how obscure it is. But my intention was never to make the reader feel comfortable, but to show how easy it is to be deceived, even when you have all the clues laid out before you.  

I have just handed in book two of the Influencer series to my editor, and I’m super excited to dive into edits for this one. It follows different characters in the same world, trying to navigate social media in the days following book one. We do also get to see what happens to some of the characters from Island of Influencers, and you may be surprised by where they’ve ended up.

For now, that’s all I can say, but I will leave you with this little snippet that I think captures the vibe of book two perfectly: “Are you entertained yet?”

Monique was born and raised in the cold north of England on a diet of strong brews and thick gravy. Whilst growing up, she struggled to find her place in the world, so she vowed to create stories where those who don’t fit in can finally feel like they belong. When T.M. Turner isn’t writing, she can be found roaming the southern coast.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.