PaperBound Magazine are thrilled to feature a blog Q&A with author Millie Florence.
This interview has been composed and written by freelance writer Cailey Tin.
Q&A with Millie Florence
You published your debut book, Honey Butter, at age thirteen. What was the process of writing and publishing it like for you? Were there any resources or help you got at the start?
I may not have finished Honey Butter without NaNoWriMo. NaNoWriMo stands for National Novel Writing Month, which is every November. It’s the challenge to write the entire first draft of a novel in thirty days. Their official website provides you with tools to track your word count goal, advice, and inspirational pep talks to keep you motivated. The program was definitely what pushed me to write the first draft of Honey Butter.
I’ve been obsessed with writing and storytelling for as long as I can remember, but always struggled to finish anything longer than a short story. My goal in writing Honey Butter was to write something a step up from a short story. Something simple and short and sweet, but something I could write with excellence. Something I could be proud of. Although all my projects before this had been epic fantasy and sci-fi novels, for this I purposefully kept myself to a limit of 30k words and a contemporary story set in an ordinary suburban neighborhood.
I have a video on my YouTube channel about the process of writing Honey Butter, which I highly recommend. I explain everything more eloquently and in depth there, with some advice for young writers who are experiencing the same struggles I did!
Do you read your book reviews? How do you deal with both positive and negative reviews?
So far, yes, I have read my book reviews, but that’s mostly because there aren’t very many of them. Due to having a smaller number of reviews, there also aren’t many hateful ones. I anticipate receiving a lot more reviews once my traditionally published books are released, because those companies have a built-in audience that I don’t, and it has been on my mind lately, how I should approach reviews once I start getting large numbers of them.
Abbie Emmons, an author and YouTuber I follow, mentioned getting in a very bad mental place with reviews when her first novel came out. She read every single review for a while, and whether she had a good day or a bad day depended on the reviews she got. Obviously, that’s not healthy.
I think it’s a balance. You need to be able to take feedback and hear what your readers are saying, but you can’t let it consume your life. It comes down to having confidence in your story. You have to be able to see through both flattery and hate to recognize your story for what is truly is.
How was your journey from going through traditional publishing after self publishing your other projects? Which method do you prefer?
It’s been a really interesting experience, and I love both! I love the control of self-publishing and the fact that I get to be intimately a part of how the book is produced. Still, traditional publishing has a wonderful collaborative nature to it, and it’s amazing to work with such talented and hard-working individuals. The process and experience with traditional publishing can also really change depending on what company you work with.
In the future, I’ll choose a route depending on what I think each book needs.
What aspect of your books do you treasure the most? Were there any scenes that felt particularly easier or harder to write?
My favorite part of writing is when the characters come to life. If you develop characters well, they’ll sort of start talking and acting on their own, or, to put it in less whimsical terms, you know exactly what they would do or say in any situation. Thus, all you have to do is create the right situations, put your characters in them, sit back, and type as fast as you can. It’s like building a marble run and then experiencing the satisfaction of watching your marble zoom through it exactly as you intended. Those are my favorite scenes to write, with characters bouncing off each other and their environment until they land exactly where they need to be to further the plot.
Of course, sometimes it’s not that easy. Sometimes you’ve miscalculated the placement of a few pieces in your marble run, and when you put the marble in it falls out off the track, or goes in a different direction entirely. That’s when adjustments need to be made.
How long do you take to draft your books, and what does your author process look like? How many hours a day do you usually write?
I always write my first draft as quickly as possible, which takes one to three months, depending on the length of the draft. I have to strike while the iron is hot, so to speak, and take advantage of that initial burst of inspiration. The drafts after that vary, they can less or more time than the first draft, it all depends on what changes I decide to make. I alternate between receiving feedback from beta readers and author friends, and implementing the changes until I feel that the story is the best it can possibly be! It usually takes me four or five drafts to get there.
When I’m writing a first draft I spend anywhere from one to five hours a day writing. That’s the most intensive part of the process. Once I get to later drafts progress it a bit more difficult to measure. I’ll often go days or weeks without writing in drafts two and three, but I never stop brainstorming and thinking through the best way to improve the storyline. That way, when I do sit down to write, I don’t spend too much time staring at my blinking cursor. Half the battle is sorting out what I’m going to write. After that, it comes pretty easily to me.
How did you navigate the publishing process and “break into it”? Did it feel exciting or intimidating?
I always knew I wanted to publish my books someday, so I would say it felt a lot more exciting than intimidating. There was definitely a lot to learn, but I loved every minute of the learning process. I started out by researching publishing in-depth and eventually settled on using Ingramspark for my self-publishing distributor. Later, when I wanted to explore traditional publishing, I did a lot of research on how to query and the different pieces that went into that avenue.
What is the most difficult part of being a writer for you?
Getting distracted. Our modern world is full of distractions, and writing, by nature, requires you to be bored enough to come up with your own imaginative entertainment. When social media is always at my fingertips, that can be very difficult. Those distractions have always been a struggle for me, but I learn and grow every day!
Has middle grade always been your favorite genre, and do you plan to write something else in the future?
I follow my inspiration, and so far all the story ideas I’ve come up with have been middle-grade! If I get an idea in the future that better lends itself to YA, then yes, I’ll write a YA book, but otherwise, I don’t have any plans to. I do have plans to write more picture books in the future! Picture books are a very special medium to me–they’re like an art gallery and a short story rolled into one. I can’t draw, but I love working with people who can, and I love the challenge that comes with telling a story in such a short format.
If you could be anything but an author, what would it be?
A stage actor.
I’ve been acting in community theater since I was very young, and I absolutely love it. The collaboration with the cast and crew and the opportunity to bring a character to life is a very special experience. I love working with fellow creative people, and I love putting on a show. There’s something beautiful about hearing your audience’s reaction in real-time, and for a few hours, in one room, a group of strangers are all fully immersed in a story together.
Since you’re also an avid reader, what books inspired aspects of your own projects? Do you read the same genres you write?
Yes! I’m a big fan of middle-grade, and I always will be. Two books that were influential to me at a young age were Anne of Green Gables by L. M. Montgomery and A Little Princess by Frances Hodgson Burnett. I listened to those two audiobooks over and over and over again when I was little, and they definitely instilled in me a sense of wonder for everyday life, and the importance of imagination and hope.
One of my favorite quotes about storytelling is “The two most engaging powers of an author are to make new things familiar, and familiar things new.” Anne of Green Gables and A Little Princess are in the category of making familiar things new.
In the category of making new things familiar, I also grew up reading Harry Potter, The Lord of the Rings, and The Chronicles of Narnia.
On the topic of books, who are your favorite authors and what aspect of their writing do you admire the most?
My favorite book of all time is The Mysterious Benedict Society by Trenton Lee Stewart. It checks all the boxes of everything I love in a middle-grade novel and executes them to near perfection. Mystery and adventure, lively characters, subtly quirky narration, impossible odds, and yet everlasting hope. It’s an adventure that is fun and fantastic, while simultaneously holding great depth and wisdom that leaves a lingering warmth in your chest when you finish. It’s the sort of book I want to write!
If you could tell your younger self anything writing-related—whether it be publishing advice, marketing tips, anything, what would it be?
Quite honestly, I would say “Don’t worry so much.”
I’m very passionate and motivated when it comes to my writing, but there is a dark side to that when doubts start to creep in. What if I don’t make it? What if my writing isn’t good? What if it is good but it doesn’t matter because it gets lost on the internet and no one ever reads it? What if I do everything right, but I just wasn’t lucky enough? What if I’m still here in fifteen years?
But worrying about those questions doesn’t answer them. Doubting if a dream will come true doesn’t make it any more likely to do so. Worrying doesn’t make a difference in the outcome, but it does make a difference in our mood, and not in a good way. What does make a difference in the outcome is excitement and creativity and passion for the stories we write, and you’ll live a happier life along the way.
Millie Florence
Millie Florence is an adventurous homeschooler who published her first book, ‘Honey Butter’, at age 13, and another middle grade book at age 15. Currently, she has two books on the way. She loves sushi, zip lines, and just about all things yellow.
Cailey Tin is an interview editor of Paper Crane Journal. She is an Asia-based staff writer and podcast co-host at The Incandescent Review, a columnist in Incognito Press and Spiritus Mundi Review, and her work has been published in Fairfield Scribes, Alien Magazine, Cathartic Lit, and more.
Her work is forthcoming in the Eunoia Review and Dragon Bone Publishing. Visit her Instagram @itscaileynotkylie.
PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.
All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!
Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.
PaperBound Magazine are thrilled to feature our first ever guest blog post in a series on the craft of writing from established authors.
Take a look to see award-winning author Patricia Forde’s take on writing speculative fiction.
Her new book The Girl Who Fell to Earth is out now.
Patricia Forde: Return to Speculative Fiction
I have always loved speculative fiction. I cut my teeth on Margaret Atwood’s fantastic books and swiftly moved on to writers like Philip Pullman and his amazing Northern Lights series.
There are many definitions of speculative fiction as a genre, but I see it as all fiction that is not based in the real world. That includes science fiction, fantasy and tales of magic realism.
In these types of books, writers speculate about other worlds. In my first novel, The Wordsmith, I was looking at a post-apocalyptic world. This was a future version of Earth, showing Ark – a world that was much kinder to the environment, producing energy in natural ways and leaving a very mild footprint on the planet.
But Ark had its own problems. It was a harsh place for the human spirit. Music was banned, art was banned, and the language of Ark was List – a list of five hundred words. The people in power used the list to suppress free speech and to exercise total control over its people.
Writing post-apocalyptic fiction is very similar in my head to writing historical fiction. In historical fiction you are writing about a world that was, building on some facts and imagining the rest, and with the other you are writing about a time that might happen in the future. Both demand a certain amount of inventiveness!
When I was writing The Wordsmith duology, I took some advice from an article I read by Margaret Atwood. Amongst other things, she said that her speculative novels borrowed a lot from history. So, I turned to Irish history and was reminded of the time when the Irish language was being suppressed by the British.
During Penal times tally sticks were introduced to suppress language. A stick was hung around a child’s neck, and each time the child spoke Irish at school, a notch was put on the stick and the child received a slap for each notch at the end of the day.
I took that idea and applied it to the citizens of Ark. Punishment using forbidden words involved the sinner being thrown into the woods to be eaten by wolves!
In the second book of that duology Mother Tongue, I used the ancient Irish hedge schools as a model for the rebels in Ark to teach language. Some readers might have noticed that the rebels borrowed quite a bit from Michael Collins in their political structure – using small independent cells so that no one group held all the information!
In my new novel The Girl Who Fell To Earth I returned to the realm of what-if and looked at what might happen if someone from a far more advanced Planet came to Earth.
Terros is a planet run by scientists, where the environment is protected, and people live forever. Aria, the protagonist, has been brought up to despise humans who are well on the way to destroying their own planet. When she is sent to Earth on a mission to destroy human life, she finds that, for all their faults, humans have some excellent qualities, and she sets about saving them and herself.
In this book as in The Wordsmith I want children to get a glimpse of other possibilities, other ways of living, and other ways of co-existing with fellow creatures on their planet. I don’t believe in Utopias and these worlds that I create are far from perfect, but I think all of us, and maybe young people in particular, should be encouraged through literature to explore possibilities, and see that other models of living are possible.
Some of those models are there to sound a warning; others to encourage a better way of living.
For me, I don’t think I’ll ever stop wondering what-if and hopefully those musings will inspire me to write more speculative books!
Photo credited to Julien Behal
Patricia Forde
Patricia Forde lives in Galway, in the west of Ireland. She has published many books for children, in Irish and in English, as well as plays, soap operas and television drama series.
In another life, she was a primary school teacher and the artistic director of Galway Arts Festival. Two of her novels with Little Island, Bumpfizzle the Best on Planet Earth and The Wordsmith, a Library Association of America Notable Book for Children (published in the USA by SourceBooks as The List), were awarded White Raven awards by the International Youth Library.
Her picture book To the Island was co-published by Little Island and Galway 2020 European City of Culture. She is the seventh Laureate na nÓg, Ireland’s Children’s Literature Laureate.
The Girl Who Fell to Earth is out now and published by Little Island.
PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.
All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!
Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.
PaperBound Magazine are thrilled to feature a blog Q&A with sci-fi and fantasy author Julia Turk.
This interview has been composed and written by freelance writer Cailey Tin.
Q&A with Julia Turk
What was the core idea that inspired your debut novel, LonePlayer? And its name is also super cool, where did you get it from? ?
I found my inspiration for Lone Player when I was about twelve years old. I was scrolling through Pinterest and found a photo of a playing card tattoo that I really liked. It got me thinking – what if everyone had playing card tattoos? What would that society look like? I eventually tied in population control, and after that I developed the system of Running and Chasing.
While this is what inspired the world-building aspects for me, at its core, I suppose the main thing that inspired Lone Player was the concept of a Runner and a Chaser actually knowing each other. I was really interested in this relationship dynamic. I kept thinking, how can you unlearn that kind of hate? Or is there even hate there to begin with? I wondered what would drive a person to Run or Chase in the first place, even if they knew the consequences, which is how I eventually came up with the relationship between Ren and Eddie.
As far as the title goes, it actually took me quite a bit of time to find one that I felt suited the book best. I tested out a lot of different names, but I didn’t come up with Lone Player until I was scrolling through a list of playing card terms, and that one immediately caught my eye. The term refers to an independent card player, essentially, and I thought it really tied into the overall theme of the book.
When did you know that you wanted to be an author? Did you write any books before Lone Player ?
I’ve been a writer for as long as I can remember. I’ve spent my whole life planning story ideas and starting books I never finished. Storytelling is just something I’ve always done and I’ve never not been writing something.
I’ve always wanted to publish a book. However, in terms of my career, I didn’t realize I wanted to be a professional author until quarantine. I grew up wanting to be a marine biologist so I could study cartilaginous fishes (sharks, rays, etc.), but after my chronic Lyme disease and co-infections took a turn for the worst in the middle of my sophomore year in high school (which was also the start of quarantine), I realized a physically-demanding job like that might not have been too realistic for me, especially after I had a couple of major leg surgeries. Plus, while I love science, I hate the math that comes with it.
So during this time, when I was about fifteen, I realized I wanted to be an author instead. Writing was the perfect solution. It was flexible enough to work around my illness and bad legs, and I just really felt drawn to it. Maybe I’ll do something else on the side someday to keep me busy— like working the front desk of some haunted Victorian-style inn or antique shop— but writing is at the centre of what I want to do.
I haven’t written any books before Lone Player. As I mentioned before, I grew up writing, but I never actually finished an entire project until this book. I don’t think I would have finished it if it weren’t for the Lost Island contest, which gave me the deadline and pressure I needed to get over my fears and simply write. I still can’t believe my very first (and very rough) manuscript won, but to me, it’s an important symbol of what might happen if you do things that scare you now and then.
What would you say is your interesting writing quirk?
I’d say my most interesting writing quirk is the fact that I dream in stories. A lot of book ideas come to me in my sleep. Sometimes it’s literally like I’m watching a movie. There are characters played by actors, plots, movie trailers, a soundtrack, even a credits sequence at the end. It’s really bizarre. One of my most vivid ones even has its own folder in my Google Drive as a potential writing project.
What is the most difficult part of being a writer for you?
For me, the most difficult part of being a writer is the insecurity. Thanks to my anxiety and OCD, I struggle with a really bad imposter’s syndrome. I always feel like the things I’m writing make no sense, or that I’m upsetting people, or that I’m just not good. Another thing I worry about is that my story has already been written, or that it’s too simple.
There are so many worries a person can have as an author, especially if you’re a perfectionist like me. But by writing through the worries, I’ve learned a lot about how to handle my fears and perfectionism. The best thing you can do if you struggle with something similar is to write anyway, even if it’s scary.
Since you’re also an avid reader, what books inspired aspects of your own projects? Do you read the same genres you write?
Yes, I’m definitely an avid reader! Scythe, The Fifth Wave, and The Hunger Games were definitely huge inspirations for Lone Player, since I read those books in middle school (around the same time that I developed the idea for LP).
I usually read the same genres I write, mostly fantasy. But I’ve also been enjoying a few contemporary romances lately, which isn’t something I expected.
On the topic of books, who are your favourite authors and what aspect of their writing do you admire the most?
My favorite authors include Holly Black of course, Brandon Sanderson, and Margaret Rogerson, among many others. I love the characters and fairy folklore in Holly Black’s work, the world-building and intricate plots in Brandon Sanderson’s, and the really immersive, almost Ghibli-esque quality of Margaret Rogerson’s writing.
If you could tell your younger self anything writing related – whether it be publishing advice, drafting tips, anything, what would it be?
If I could tell my younger self anything writing-related, I think I’d tell myself to just write. I know you’re afraid. I know you’re scared of getting things wrong or not being good enough. But write anyway, because there is no such thing as bad writing. You can’t edit a blank page, and you can’t improve without actually getting the words out first. Always remember that writing is healing, and writing is growth—and it’s okay to do things that scare you every now and then.
Julia Turk
Julia Rosemary Turkis an author and artist based in Northern California. She loves all things creative, and she spends her days downing matcha lattes and writing stories. Julia is the winner of the Lost Island writing contest and will have her debut novel, Lone Player, published by Lost Island Press this July 2023.
In addition to writing, Julia loves spending time with family, playing cosy games, and listening to indie rock. She’s been battling chronic Lyme disease since childhood and considers her illness a crucial part of her identity.
Cailey Tin is an interview editor of Paper Crane Journal. She is an Asia-based staff writer and podcast co-host at The Incandescent Review, a columnist in Incognito Press and Spiritus Mundi Review, and her work has been published in Fairfield Scribes, Alien Magazine, Cathartic Lit, and more.
Her work is forthcoming in the Eunoia Review and Dragon Bone Publishing. Visit her Instagram @itscaileynotkylie.
PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.
All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!
Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.
PaperBound caught up with YA author Julia Tuffs to chat all about her debut novel, HEXED!Join us as we discover more about Julia’s writing, her top current reads, and how she came up with the idea for HEXED.
You can catch the full interview and all other issues of PaperBound FREE here.
Can you tell us a little about your novel, Hexed?
Hexed is about Jessie Jones; new girl, witch and accidental activist. Jessie’s life is turned upside down when her mum suddenly moves the family back to her home town on the Isle of Wight. All Jessie wants to do is fade into the background, coast and avoid the attention of school douchebag Callum Henderson and his toxic cronies, but when strange and uncontrollable magical powers start to manifest during her period, flying under the radar becomes impossible. Hexed is about finding your place and your power and learning to love your differences.
Your novel deals with important and timely themes, such as sexism and toxic masculinity, and easily puts the reader in Jessie’s shoes. What inspired you to write about these issues?
Donald Trump – amongst other things! It was really painful to watch as someone who had boasted about grabbing women’s genitals was elected president and it was a moment in time that highlighted how little society values women and women’s rights. I wanted to write something that looked at how ingrained it is in all aspects of society – our schools, our media, our courts, our government – but I wanted it to be relatable and focus on what all girls experience and are forced to navigate through on a day to day basis.
These themes are woven into a story about witchcraft. Can you tell us how you came up with the idea to combine these two things?
I was thinking about the recent surge in our reproductive rights being threatened and all the ways men in power try to control women and women’s bodies (Britney, how can we help?!) and that led me to the witch trials; the way women were strip searched for Devil’s marks and how anyone single or widowed could be suspected and tried. Even today, like hundreds of years ago, if women don’t fit into a prescribed box – if we dare to be angry or outspoken or stray out of our lane – we’re labelled and shamed. I found the parallel interesting (and terrifying) and I loved the idea of that which makes us different actually making us stronger – which is how the period witch idea came about – wearing a super plus but being able to magic up your dinner and punish nasty boys!
The setting of Hexed is vividly portrayed. Did you always plan on setting it on the Isle of Wight? What was it about this setting that you were drawn to?
I love the Isle of Wight! My husband is from the Island and we lived there for a few years when our children were small. It’s such a unique setting – beautiful in places, 1950s seaside in other places, removed from the mainland and with a population that doubles over the summer. I wanted to explore how someone would feel moving there from a big city, especially if that person was trying so desperately hard to be invisible – which is basically impossible in a small town setting where everyone knows everyone and it’s harder to escape! I also loved the idea of being on Jessie’s journey with her as she falls in love with the Island and begins to appreciate how special it is.
Can you sum up your novel in 3 words?
Funny, feisty, feminist.
What’s the one thing you’d wished you’d known before becoming a writer?
That it’s a rollercoaster of emotions and A LOT of waiting – waiting for edits, waiting for news, waiting until you’re allowed to announce news, waiting for publication day…
What are your top reads from the last year (MG or YA), and why?
Oooh, this is hard – there have been so many good books! For YA, I’d say The Yearbook by Holly Bourne which is in her typical style of being frank and funny whilst also dealing with serious issues and Afterlove by Tanya Byrne which is a gorgeous and heartbreaking love story.
After a brief (but fun) stint working in television and as a primary school teacher, Julia decided to take her writing dreams more seriously. She lives in South-West London with her family and ragdoll cats (Billy and Nora) and spends her time writing, reading, dreaming of holidays and watching too much reality TV. She aims to write the kinds of books that shaped and inspired her as a teenager. HEXED is her debut novel. You can keep up to date with Julia on Twitter, Instagram and by visiting her website.
HEXED was released in July 2021 by Hachette. It is available NOW in the UK and Australia.
Don’t forget you can catch up with the latest issues of PaperBound Magazine here. All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book.
We chatted with author Caroline Logan about her YA fantasy series, The Four Treasures, in the Winter 2020 issue of PaperBound. Read on to discover more about Caroline’s books and what inspires her writing …
Can you tell us more about The Four Treasures series and what readers can expect?
A few years ago, I got an idea for a story based on Scottish legends. I read a lot of Young Adult Fantasy but hadn’t really seen mythology represented. Originally, the story was supposed to be covered over one book but once I started plotting it out, I knew it would take a series to do it justice. I immediately knew what would happen in the first and second books, but then I had to make a decision about whether it would be a trilogy or a quadrilogy. Around that time, I stumbled upon the legend of The Four Treasures (which is actually an Irish story) and since my lucky number is four, I took it as a sign and plotted the other two books.
The first book, The Stone of Destiny, is about a quest to find a magical stone, to save the kingdom and guarantee the safety of the king. But it’s actually so much more than that and I think people are always surprised when they read it. It’s really about the main character, Ailsa, who has been shunned all of her life by superstitious neighbours. She saves a pair of selkies who convince her to help them find the stone. But, meanwhile, something terrifying is stalking Ailsa through the forests of Eilanmor. There’s friendship, romance, action, and many monsters (my favourite things to write).
Have you always wanted to become a writer? How did you start?
No, I never thought I’d become a writer. English wasn’t my strong suit in school – I was much more suited to maths, science and art. I didn’t like dissecting poetry and hated writing essays. It wasn’t until I got back into reading again that I started thinking about writing. I had a New Year’s Resolution to read a book a week. By the end of the year, I wanted to give my own story a try.
I started by coming up with characters, a plot and by building my world. That’s the best bit of writing a book in my opinion. I watched Youtube videos on writing and read blog posts. Then I just started. I didn’t think I would ever finish and I especially didn’t think anyone would ever read it. But a few years later, here I am with one book out and another on the way!
Did you have to do a lot of research into Scottish myths and folklore, or history, to write these books?
I already knew quite a few myths but I had to dig a little deeper when writing the book. There are often different versions of the same story, so I just chose the ones I liked best. Sometimes I’ll add a twist to them, like the selkie’s water magic. Sometimes I’ll just make something up. When I was in primary school, my friends and I pretended there were bog monsters in the mud, waiting to steal your wellies, so I put them in the book. I reckon it still counts – I am Scottish after all, so I can make Scottish myths!
In terms of history, originally I was going to set the books in a certain time period, but nothing was really lining up and I wouldn’t have been able to give my characters kilts or have them eat curry. That’s why I decided to set it in a fictional land based on Scotland. I always joke that I just couldn’t be bothered researching all the history.
The main character in The Stone of Destiny, Ailsa, is treated differently from a young age because of the way she looks. Is there anything you hope readers can take from this?
I really wanted to have interesting, diverse characters to set them apart from other medieval based fantasy books. Though all my characters in book 1 are white, I hope they all have distinctive features and personalities. As we move through the books, we’ll start to meet people from different places other than Eilanmor and the cast will become even more diverse. Hopefully, it conveys the message that if you broaden your horizons and meet people from different places, with different sexualities and gender identities, and abilities, your life will be better for it.
When I was creating my main character, I wanted someone who felt like an outcast. The Changeling Mark was another myth I’d heard about and when I saw this picture of a beautiful woman with a birthmark on her face, it all just clicked into place. I think Ailsa’s struggle is something we can all identify with. I believe that everyone has the experience of feeling left out at some point in their lives, so hopefully I made a main character who was relatable and could show the reader thatbeing yourself is better than being another face in the crowd.
What do you love most about writing? What comes next for you and your books?
I love coming up with plots and characters. I really don’t like the actual writing part that much but it’s just part of telling the story. I have a four book contract with Cranachan Publishing. The Cauldron of Life, the second in the series, was released in October. Meanwhile, I’ll be writing Book 3 which will be out in 2021.
I have a few side projects on the go, but I just don’t have the time for them right now. One is inspired by the Gorbals Vampire legend, another is a fairytale retelling of The Twelve Dancing Princesses set in Ancient Egypt, and the last is an adult Science Fiction Western that’s about a gang of female criminals on the hunt for treasure. Maybe when The Four Treasures Series is finished, I’ll be able to get on with those.
How will you be spending the winter season?
Playing with my dogs: Ranger and Scout. I know it’s a bit cringey, but they really are my babies. I’ll also be up to my eyes in school work. I’m a secondary biology teacher and I have a lot of senior classes this year. It’s been a challenge working through the pandemic but I’m so glad to see my students again. I don’t think I’ve laughed so much in months.
Writing prompt:
You explore a hidden cave and discover two portals. One will take you to a beautiful place with a terrifying secret. The other will take you to a dangerous place with a great treasure.
Write about which one you would choose and what you see when you step through the door.
We’d love to read what you come up with. Send your stories here: paperboundmagazine@outlook.com
We may even print it in a future issue!
Caroline is a YA fantasy author. Her debut novel, The Stone of Destiny, is the first in The Four Treasures series. Caroline is a high school biology teacher who lives in the Cairngorms National Park in Scotland, with her husband. Before moving there, she lived and worked in Spain, Tenerife, Sri Lanka and the West Coast of Scotland. She graduated from The University of Glasgow with a bachelor’s degree in Marine and Freshwater Biology. In her spare time she tries to ski and paddle board, though she is happiest with a good book, a cup of tea and her dogs.
You can keep up to date with Caroline by visiting her website, or by following her on Twitter and Instagram.
The Stone of Destinyand The Cauldron of Lifeare both available to purchase now!
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