Our summer bookshelf is full of book recommendations set during the heat of summer for you to enjoy, from middle grade and graphic novels to YA. These are just a few of our favourites. Are there any we’ve missed? Let us know in the comments below.
You can also see this page and lots more recommendations in our Summer 2021 issue, which can be found here.
Rebecca Perkin caught up with Struan Murray to chat about his writing and his Orphans of the Tide book series.You can catch the interview in the full magazine by clicking here and scrolling down to our Spring 2021 issue.
When a mystery boy washes in with the tide, the citizens believe he’s the Enemy – the god who drowned the world – come again to cause untold chaos.
Struan Murray grew up in Edinburgh and has a PhD in genetics and is a lecturer in biochemistry at the University of Oxford. And now, following his success with the Bath Children’s Novel Award, he is the debut author of fantasy adventure Orphans of the Tide.If you’re a fan of Philip Pullman’s His Dark Materials, then Orphans of the Tide is a must read. Children and adults alike will find themselves caught up in Murray’s dark and mysterious word, left wanting more when they reach the end. Thank goodness there’s a sequel!
After enjoying a very interesting and insightful video call with Struan through my writing group, I was thrilled when he accepted my invitation of an interview. I asked him ten questions about himself and his debut.
Orphans of the Tide has a lot of themes around trust, family and grief. What was the hardest scene to write?
To be honest, the emotional scenes are usually the ones I find easiest – it’s not hard to get into the heads of characters when everything’s emotionally turbulent. The hardest parts were more technical – there are a lot of rules surrounding the magical element of this book and it was a challenge at times to find ways to weave in the necessary backstory in a way that was organic, without overloading the reader or giving away too much too soon.
Ellie and Anna are two strong independent female characters. What is the most difficult thing about writing characters of the opposite sex?
I think it’s important for me to be mindful when writing female characters to avoid the dangers of the unintentional male gaze and be really thoughtful about expressing the integrity of someone with a different gender from me.
Aside from the follow up to Orphans of the Tide, Shipwreck Island, what other works do you have in the pipeline?
Currently I’m working on the third (and possibly final!) book in the Orphans of the Tide trilogy. So many of my previous (unpublished) projects were the first books of planned trilogies, so it is a strange and wonderful thing to finally be able to finish one.
Could you see Orphans of the Tide as a film and if so who would you like to see playing Ellie?
I definitely could – in fact whenever I’m writing a scene at least a part of my brain is imagining how it would be filmed. I’m a huge fan of Studio Ghibli, and often dream about how my novel would look in that style. As for actors, I haven’t thought much about the child characters but think Tom Hardy would do a great job of the brooding, fanatical Inquisitor Hargrath, while Chiwetel Ejiofor would be perfect as Castion, the kindly, charismatic whale lord.
If you were to rewrite Orphans of the Tide is there anything you would do differently?
If I’m honest, I haven’t really looked back through the novel since it was published. There are certain aspects of the world that I would have liked to bring out more (the politics of the City, the rivalries between different whale lords), but I think that would be more for me, because they were important considerations in creating the world, but would have slowed the pace of the story.
As an author myself, I like to hide things in my books that only a handful of people might pick up on. For example, a door code being your birth date. Do you hide any secrets in your books?
I named a few (very minor) characters after a few of my (very minor) friends. They haven’t been nearly as grateful enough.
Has a book ever made you cry, and if so what was it?
I remember crying at the end of Harry Potter and the Half Blood Prince (spoiler alert) when Dumbledore died. Occasionally I have cried while rereading my own stuff but that’s more from exhaustion than the quality of the writing.
What is your writing kryptonite?
I sometimes get bored describing character’s physical/emotional reactions to things and usually just put an asterisk for future Struan to deal with. When he comes across them he *
If you could tell your younger self one thing, what would it be? Related or unrelated to writing.
I think I’ve spent an awful lot of my writing life questioning whether I am ‘worthy’ of being a writer, instead of just writing. This is an entirely pointless exercise – if you have made the effort to sit down to try making up a story, then you are a writer.
And, finally, if you could write anywhere, where would it be? Real or imaginary?
A big, big library full of books and comfy chairs and spiral staircases that lead to nowhere.
Thanks so much to Struan for this ten question insight into his debut novel and world of writing.
You can visit Struan’s official website to keep up to date with all his latest news and books. Orphans of the Tide is published by Puffin Books and OUT NOW. The follow up to Orphans of the Tide, Shipwreck Island was released on 4th March 2021.
Interview by Rebecca Perkin.
Rebecca Perkin is a YA fantasy and sci-fi author from Surrey. Being an avid reader from a young age, Rebecca always loved escaping to other worlds. Her passion for writing comes from the freedom it gives someone to live out another life. She has written five novels to date, and is currently working on Half Undone, a YA Speculative fiction all about secrets, memories and what it means to be human.
Don’t forget you can catch up with the latest issues of PaperBound Magazine here – and they’re all completely free!
We chatted with children’s author Tamsin Mori about her debut book The Weather Weaver.You can catch the interview in the full magazine by clicking here and scrolling down to our Spring 2021 issue.
Can you tell us about The Weather Weaver and where the idea came from?
The Weather Weaver is an adventure story with a touch of magic. Stella, the main character, is spending the summer with her Grandpa in Shetland, but her life takes a turn for the stormy when she meets an old woman called Tamar, who asks her to catch a cloud …
My mother’s family are all Shetlanders and I grew up listening to my Granny’s tales of Shetland – both family stories and the island myths and legends. In all her stories, weather was never a backdrop, it was a character – tricksy and wild. I must have absorbed that idea quite rapidly, because by the time I was 10, I was already experimenting with calling the weather.
What challenges did you face when writing a book about showing how clouds might feel?
The main challenge was that Stella can’t hear her cloud, so there’s no dialogue. Also, though they can change shape and colour, clouds don’t have faces, so there aren’t any expressions to describe! Having said that, once I’d discovered what Nimbus was like as a personality, it became surprisingly easy to imagine how he’d react in any situation.
You might not be able to chat to your pets, but that doesn’t stop you from understanding how they’re feeling – it’s all about body language. When I was editing, I did quite a lot of acting out the scenes, to get the movement right. It would have looked completely bonkers if anyone had seen me.
What do you hope readers can take from The Weather Weaver?
I hope they’ll be left with a sense of the magic hidden inside everything – things that seem commonplace until you look at them a little differently. Even stones are full of stories! I’d love readers to finish The Weather Weaver and look around with a sense of possibility and wonder – breathe bit deeper, dream a bit larger. And who knows? Maybe we’ll discover a few new weather weavers out there.
Did you get into similar adventures as Stella when you were growing up?
Much like Stella, we moved a lot while I was growing up, but my mum’s family are all Shetlanders, so that was the one place we always returned to – the place that felt like home. And exactly like Stella, what I loved most was the freedom! Although they’re wild, the islands are very safe, so I was allowed to roam and explore as much as I liked. Fog was the one thing that could keep us there – when there’s fog, the planes can’t fly – so my earliest attempts at weather weaving involved whispering spells into the wind, to call the fog. It worked, too – we once got fogged in for a whole extra week! Magic!
What does your typical writing day look like?
I don’t really have a typical writing day – I write whenever I can find a quiet moment – that can be anything from in the car, first thing in the morning, in the middle of the night, on a windy hilltop, in bed … I have two children and a part time (non-writing) job, so I’ve become a master at making time elastic – stretching it out to make space for writing!
My ideal writing day involves waking up gently, so I can hold onto the tail end of dreams, then scribbling in my bedside notebook. I find mornings best for first-drafting – inventing new things. Afternoons are better for editing, because by that time, my logical brain has switched on.
Is there anything you wish you’d known before becoming a writer?
How long it takes to make a book! Not the writing bit – I love that – more the actual process of turning it into a book. I somehow imagined that having written a book, it would just magically appear on the shelves of bookshops. The truth is, there are lots and lots of rounds of editing and polishing and proofreading, and between each one is a long period of waiting. The waiting bits are the worst – I am not a patient person. I’ve got the hang of it now, so I have several stories on the go at the same time. Each time I send back edits on one, I’ve got another story to jump into. I wish I’d known that before!
In The Weather Weaver, Stella has a book of myths and legends she treasures. Are there any myths and legends that are your favourite?
My favourite myth is the selkies – magical creatures that look like seals, but can shed their skin to become human and walk on land. Growing up, I was half convinced that I was a selkie – I’ve always loved the water. I’d love the ability to transform and be just as at home under the water as on land. We used to sing the selkies when I was small. If you sing from the beach, the seals all pop up out f the water to listen – a semi circle of sleek brown heads, with soulful eyes – selkies one and all.
Tamsin had a nomadic childhood (eight different schools!), but the one place that always felt like home was Shetland, her mother’s homeland. Shetland is a collection of teeny tiny islands, so far north they fight too fit on the map. They are overflowing with myths and legends, most of which are true. Growing up, Tamsin was usually to be found on the beach, whispering spells into sea shells and singing to the selkies.
Tamsin now lives in Bath with her husband, two children, one rabbit, several crows, and a badger, though she flies home to Shetland whenever she can – if you go there in the summer, you’ll probably spot her, striding about with the wind in her hair, chasing a wild story.
The Weather Weaver is published by ULCAN Publishing and is out NOW! You can keep up to date with Tamsin and all her book related news on Instagram and Twitter.
Don’t forget you can catch up with the latest issues of PaperBound Magazine here – and they’re all completely free!
Our spring issue is full of stories about new beginnings and interesting mother figures, as well as featuring books set during spring. From classics like The Secret Garden to rip-roaringly hilarious new releases, like Love is for Losers, here are the books we’d love to share as part of our spring bookshelf. Are there any we’ve missed? Let us know in the comments below.
You can also see this page and lots more recommendations in our Spring 2021 Issue, which can be found here.
Take a look at our winter warmer bookshelf, filled with each of our own book recommendations for books to read in winter. From novels to short story collections, and middle grade to YA, we hope there’s something you can get stuck into over winter here, or maybe even find something new …
You can also see this page and lots more recommendations in our Winter 2020 Issue, which can be found here.
We spoke to author Damaris Young about her new novel The Creature Keeper in our Winter 2020 issue. Read on to discover more, or head over to our issues page to read the interview inside PaperBound Magazine itself.
Tell us a little about your new book The Creature Keeper. What made you decide to write it?
When animal lover Cora learns that Direspire’s mysterious owner is looking for a new Creature Keeper, she realises this might just be the chance she’s looking for to save her parents’ farm. But Direspire Hall is a spooky place, and the strange creatures who live there are nothing like Cora is expecting. As Cora settles into her new life, it soon becomes clear that Direspire has its secrets, and that somebody will do whatever it takes to keep them…
Growing up, I was always more comfortable around animals, and sometimes I struggled to talk to people. I wanted to write a story about a young girl who, just like me, feels a connection to animals, and send her on a journey of self-discovery and adventure, where she learns to find her voice.
What does your typical writing day look like?
The first thing I do is take my two dogs for a long walk near the river, which helps wake my brain up. When I get home, I’ll make breakfast, toast and a cup of coffee, and take it up to my home office. I usually write for a few hours, before finishing off the day by catching up on admin. I send out author letters to schools, sign bookplates, write articles for blog posts, and prepare for virtual workshops. I love connecting with schools and readers, it is one of the best parts of the job.
Your book The Creature Keeper has been described as having a ‘creepy gothic setting’. How important is setting to your writing?
The setting is incredibly important to my writing and I will treat it as a character, with its own quirks, personality and different moods. In The Switching Hour, the setting of the drought-stricken land became the antagonist that thwarted Amaya on her mission to save her brother. In The Creature Keeper, Direspire Hall is found near the coast and ‘The sea, the one that bordered our part of the world, wasn’t like any other. It had a mind of its own. Ma said it had eyes and ears and even teeth, and that it would gobble you up if you weren’t careful.’ The setting is wild and unpredictable, not unlike the creatures Cora discovers in Direspire hall.
What other middle grade novels do you love? What is it about them that you enjoyed?
I’m currently reading When Life Gives You Mangoes by Kereen Getten, set on a small Caribbean island. I love the strong sense of place, and the clever, and perceptive protagonist, Clara. I’m also a huge fan of the author Kirsty Applebaum, and her new story Troofriend is excellent! It follows a robot manufactured to be a child’s companion, and the curious and clever robot stole my heart from the very first page.
You’ve completed a writing course; how valuable was it to have people to share your writing with?
Being able to share your work with other writers and critique each other’s stories is invaluable. Writing a book is tough, and it is easy to lose motivation. Having other writers who support and encourage you is essential, as is being able to celebrate each other’s successes!
What other things do you enjoy when you’re not writing books?
I’ve recently started to learn cross-stitch, and it’s a great way to relax your mind! This year has been particularly challenging for lots of people’s mental health and being able to do something creative and relatively simple, like cross-stitch, has helped me.
If you could share one piece of writing advice with our readers, what would it be?
Don’t compare yourself and your writing to anyone else. When I started on my writing journey I often felt like a chameleon as I tried to emulate the writers I admired. I wasn’t allowing myself to find my voice as a writer, and I caused myself no end of frustration when I couldn’t get it ‘right’.
Once I stopped comparing myself to others (although full disclosure, I do still sometimes find myself slipping into those bad habits) I began to celebrate what made my writing unique.
In my new book The Creature Keeper, Cora looks after extraordinary creatures that are extremely rare. When writing your story, imagine your character comes across a rare or endangered creature. What is it? Write an adventure, helping the creature get back to its natural habitat.
We’d love to read what you come up with. Send your stories here: email@example.com
We may even print it in a future issue!
Damaris studied on the Writing for Young People MA at Bath Spa University, where she wrote her debut novel, The Switching Hour. She is passionate about inspiring and empowering young readers with knowledge and action about climate change, as well as encouraging a love of the natural world with her stories.You can catch up with Damaris on Twitter, Instagram and Facebook.
The Switching Hour and The Creature Keeper are published by Scholastic UK and both books are available now!