Aphrodite by Bryony Pearce book cover. Bright pink background against a single yellow eye with long lashes
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Interview: Aphrodite by Bryony Pearce

Aphrodite is a retelling of the life of the Greek goddess of love and beauty, a story that contains themes of power, love, betrayal and family.  

I have always loved myths from around the world and characters from mythology have appeared in many of my other novels: Angels Fury contains Nephilim; The Weight of Souls, Anubis; in Savage Island Carmen is a modern day Maenad; Hannah Messenger and the Gods of Hockwold contains many of the Greek gods.  

I have a particular fascination with Greek mythology and have been wanting to construct a complete Greek myth retelling for some time. Aphrodite struck me as the perfect vehicle for a modern rewrite, with the confusion about her birth, the possibilities of her power and the way she is a catalyst in so many stories.

I am so glad you saw the power in Aphrodite, as I was keen to give her that strength. In many ways she represents womanhood as a whole, and her story highlights the dangers for powerful women when they threaten the status quo.  

I loved writing the scenes where her power emerges, where she literally battles for her life. I also loved writing the scenes where she uses her cunning, hidden behind the mask of her pretty face.

What I found most difficult was remembering to make sure that she retained her innocence and didn’t have more knowledge than she should. It is easy to allow authorial voice to creep in, for example, in naming plants, animals and so on, so I had to keep checking myself – does she know this yet? How would she react to this thing that is so strange to her? What would she do here? How would she learn? Who will teach her?

I am one of the strictest plotters you’ll ever meet. I do character work, world-building research (I researched an awful lot about Ancient Greece from food to clothes to geography, politics, marriage customs and religious observations). Then I plan every beat of the story in advance. Following this, I write a chapter outline. And only then do I start to write.  

Some writers feel that writing like this removes the freshness from their work and cannot bring themselves to do it, but I feel that it allows me to focus on the language rather than worrying about what is going to happen next, to construct beautiful scenes, to ensure that everything fits together, that every action has consequences, that every scene moves the story on and every word has a role to play, and I can seed, early on, themes and elements that will be important much later.

I have always been a fan of world mythology. From a pre-teen I I had books about various myths, Egyptian tombs, the lives of the Mayans and Aztecs and explorations of religions and how they developed.  

My favourite stories have always been folklore and myths, from Havelock the Dane to King Arthur. Pantheons and heroes fascinate me and have so much to say about the values of a culture and how, ultimately, we are all so similar.

This is the thirteenth full length novel I have had published (and I’m hoping it isn’t unlucky number thirteen). I started to write in 2004, with the aim of seeing if it was possible for me to write a novel. I had no intention of trying for publication. However, once it was ‘finished’, I realised that I had a lot of love for it, and approached agents, who sent me to Cornerstones Literary Consultancy for feedback. After a rewrite following their advice, I entered the SCBWI Undiscovered Voices Competition 2008 and was one of the winners. From there I got my first agent and, in 2009, my first book deal.  

I also write short stories for adults which have appeared in various anthologies and magazines.  

In terms of tips for other writers, I would recommend that you read widely within your genre, and that once you have taken your first draft as far as you can alone, seek constructive feedback before approaching agents, whether that be through paid support such as literary consultancies, or through writing groups, mentors, or critique centres such as Wattpad.

I also recommend entering competitions, which are usually run by industry professionals, who might remember you and which often have great prizes from free feedback to book deals. Be polite, persistent, resilient and keep your love of writing – that is the most important thing, that you keep loving what you do

I am hoping to see my third adult thriller on the shelves, which is doing the rounds with publishers at the moment. This is set in London, and involves a woman who ends up entangled in a children’s game, gone terribly wrong. The current title is Simon Says.  

I am hoping also to write a sequel to Aphrodite, which goes into her role in the Trojan War (which in my version she starts deliberately, as a gift to her lover, Ares).  

I will be able to write the sequel if Aphrodite does well, so … hint, hint …

Imagine that you wake, full grown, in a strange world, naked and alone, with no memory and no skills. Where are you? Why and how did you end up there? Do you have the ability to survive, or are you helpless? What are your priorities (shelter, clothing, food, exploration, weapons etc.)? Do you receive help and support from the locals, or are you in great danger? What do you find when you explore? What do you become?

Bryony Pearce is a multi-award-winning novelist and short story writer. She has written a mixture of thrillers, paranormal adventures, science fiction and horror, for Mid-grade, Young Adult and Adult readers. Her most recent novels are based on Greek mythology: Hannah Messenger and the Gods of Hockwold, for readers aged 9-12, and Aphrodite, for young adults.

In addition to writing her own novels, Bryony teaches creative writing at City University (London) and works as a consultant and mentor, in order to help aspiring authors achieve their dreams.

She lives in Gloucestershire and has two teenagers. Consequently she spends a lot of time at the side of sports fields, listening to concerts and being creative in car-parks.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

article, Blog, Blog series, Bookshelf, Interview, Interviews, on writing, Writing craft

Interview: The Notorious Virtues by Alwyn Hamilton

The Notorious Virtues is 1920’s New York meets Grimm Fairytales. A group of heiresses compete to win their family’s money and magic in a tournament of virtues.

There are so many pieces that came together to make this story. It’s partly inspired by all the folktales of “The King had 3 sons and he sent them on a quest for a McGuffin to decide the heir”.

It’s also inspired by my friend who is a social worker and once pointed out that there is a recurring narrative in fantasy of glorifying a young person’s lost birth parent at the expense of the adoptive parents. It’s very you were raised by peasants but secretly you’re royalty, which is a terrible narrative for adoptive kids or kids in the foster system. She wished that fantasy would include more positive adoption stories. Apparently what I heard was write a story that subverts the narrative of the glorious perfect birth family that makes you special.

Well since you bring up world, one of the number one mistakes I see aspiring fantasy writers make is feeling like they need to have the whole world built before they start writing the story. Yes, of course you need to know some things, but the world will grow as you write it. No matter how prepared you are, you will inevitably hit something you have to invent on the fly. Don’t let building the world stop you from telling the story. Most of the time it’s an excuse.

This book was a built over such a long period of time that I would struggle to tell you what originally was in there and what came in the writing. The character of August is probably the biggest component that came in after I had pitched it. I realized quickly that Nora needed someone to talk to and be her mystery investigator sidekick (August would say she is the sidekick). And I think with him the mystery became a more active part of the book.

A lot of the charms were born from necessity in the world. I think it got cut in editing, but there was a charm that kept high heels from sinking into the grass at garden parties. I have been to enough outdoor weddings that I would gladly take a charmed shoe!

Authors aren’t supposed to have favourites… but my favourite is Nora, also known as Honora Holtzfall, the once heiress apparent trying to win back her place in the family, while also solving her mother’s murder. Nora is such a mix of brains, sass and reckless self-confidence. Writing her, and especially her banter with August, was the most fun.

I’ve heard the saying that you never learn to write a book, you only learn how to write the book you’re currently writing (and the next one is a whole new beast). I think that’s true to an extent, but I have always written better in a café than in my house, so I try to have a rhythm of leaving the house.

I feel like if I reveal anything about book 2 a sniper will appear pointed at my head. I am currently writing it, the fairy tale aspect is way bigger than in book 1, lots of fun creatures to see. And after that I have an idea I am so so so excited by. But we’ll just have to wait to see if I sell it!

New York Times bestselling author Alwyn Hamilton was born in Toronto and spent her early years bouncing between Europe and Canada until her parents settled in France. She moved to the UK when she was 18 and has been here ever since as an author/bookseller. Her first novel Rebel of the Sands was sold in 14 territories and won the Goodreads Choice Award for best debut. Her fourth book The Notorious Virtues will release in 2025. Follow @alwynhamilton on TikTok.

https://www.alwynhamilton.com/

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

Island of Influencers by Monique Turner
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Interview: Island of Influencers by Monique Turner

I’m a curious person by nature, and the concept of influence is something I’ve studied in depth. What makes this person’s message so hard to ignore? Why have the masses flocked to this ideology? I can’t rest until I find an answer, and this research is what led me to helping create informative videos on YouTube. The realms of social media are the perfect place to observe human behaviour, especially in regards to influence.

I started working behind the scenes of YouTube channels as both a personal assistant and a scriptwriter, and I was lucky enough to witness influence from inside the fishbowl. Suddenly, I had access to the private aspects of human behaviour through direct messages and emails, and it was fascinating to learn how many people wanted to live the influencer lifestyle and, in contrast, how many people had absolute disdain for anyone who did.

I began writing Island of Influencers as a way of responding to the desires of the masses on the outside looking in, and to process everything I was part of. Harper, my protagonist, is a reflection of all the people wanting to be inside the influencer world – yearning, desperate and naive. Belle, her famous cousin, is the antithesis of that fairytale – she’s the harsh reality that Harper refuses to see until it’s too late for both of them.

Island of Influencers is the result of years of social media observation and study of human behaviour, broken down into a fun, bite-sized concept that can be consumed by anyone who is remotely interested in internet culture.

Thank you! I had so much fun creating my characters, including their usernames, Tubeify channel niches, and even their channel logos.

Readathorien is my personal favourite! Obviously, I’m a huge book nerd, and I often consume booktube, booktok, and bookstagram content, so her username had to reflect her online niche. The username Readathorien is based off the viral fantasy series A Thorien of Witchers (a fictional book I created for my world), and her channel on Tubeify was started based around this series, so her fanbase is the same fanbase for the book series. Her username was birthed from the concept that art breeds more art, and I live for art that transcends its original format, when the work takes on a life of its own and the fans create new space for it all over the web to theorise about and build upon the lore.

Sssiguard has a reactions channel on Tubeify. His username is based off the Scandinavian name Sigurd, derived from the Old Norse name Sigurðr which means “victory” and “guardian”. From the get-go, Sssiguard sees himself as the victor, even before the competition has begun, and the triple ‘S’ comes from the sound made by a snake. Sssiguard’s actions in the book can be very sssnake-like. I changed ‘gurd’ to ‘guard’ because I wanted to emphasis that he sees himself as the guardian of his internet niche. In his eyes, reactions are his territory (proven in the Cancelled Club challenge).

Unlike Readathorien’s username, which is based off her niche, I wanted Sssiguard’s to be based off his personality.

Kottage Kay’s username is interesting, because how lucky is it that she has a name (Kay) that, when paired with a slightly altered spelling of cottage, so perfectly fits with her cottagecore channel niche! It’s almost like it was given to her by the gods, manufactured in some way, like she’s an industry plant destined to succeed in whatever she does. Who knows!

Absolutely! The Hunger Games is a series that captivated me when it was first released. I couldn’t help but compare it to my own world. I can see the parallels even clearer now as I grow older, and for me, the internet is a very dystopian place, so merging the two concepts together just worked.

Obviously, my main inspiration was YouTube, specifically large-scale competition games with huge stakes and disgusting sums of money to be won. That’s the foundation of the novel.

But this book was also inspired by George Orwell’s Nineteen-Eighty-Four, Joseph Heller’s Catch-22, and Ray Bradbury’s Fahrenheit 451. All of these books deal with censorship, how easy it is to influence a society, control through media, getting stuck in systems that benefit only the rich and powerful, and how certain tools and technologies can be used to distract the masses from the realities of the world.

Music has also inspired many of the stories I’ve written, Island of Influencers included. This one is hard to explain, but sometimes I just stumble upon a song and something about the musical composition or the lyrics just invokes this whirlwind of activity in my brain. In the duration of that three minute song, I can create an entire world and storyline based on the vibe, and then magic just happens.

While writing the beginning of Island, I listened to loads of songs where the lyrics focused heavily on success, status and money, but I then switched to cinematic, epic instrumental pieces as I transitioned into act three, which really helped to unfurl the humour of the novel and reveal the darkness hidden beneath.

It’s already changing, without a doubt! Technology has advanced so rapidly within the span of my own lifetime, and today the changes are almost daily. Trends come and go quicker than you can jump on the bandwagon, the algorithms switch-up before you can even figure them out, and the days of old-Hollywood celebrity have been replaced by overnight successes who fade from relevance just as quickly as they appeared on our screens.

The internet has become an uncontrollable beast and people are tired. We’re overwhelmed with content now and it’s getting harder to discern what is genuine, relatable content, and what is actually marketing and promotion disguised as genuine, relatable content. There’s been a radical change in how people engage online, there’s less connection between creator and consumer and we’re seeing a rise in passive lurking and low conversion rates from views to shares, comments and likes on all forms of content.

People looking to become content creators or influencers are trying to go too big too soon these days, everyone wants their first video/ book/ song/ post to be a viral hit, and to gain millions of followers and subscribers overnight. That isn’t sustainable, and we’ve seen evidence of that through those who have gone viral overnight and then fallen short because they have no catalogue behind them to be able to keep the momentum going.

Personally, I think we need to go back to the drawing board and remember what made the early days of social media so great. The audience doesn’t want to be mindlessly sold to, they don’t want to feel like a number on a page, or like they’re the product of a strangers empire. People want to feel seen and valued by the creators they follow. There’s no better feeling than watching your favourite content creator rise from nothing into the stratosphere, to feel like you’re part of something that others on the outside don’t understand. 

My best advice to anyone who wants to become a content creator is this: don’t aim to grow a fanbase, aim to create a community of like-minded people. That might mean that you start with two of your mates engaging with your stuff, and then a third and fourth person might find you organically, and then soon you’ll have ten people engaging with your content, and then fifty. It’s the snowball effect. It’s slow and frustrating, and the outer shell might flake away and change, but the core is solid.

I’m looking forward to the days of social media where creators are focusing on community again, and not just spewing out content for the sake of making a profit.  

The ending was my favourite part to write, simply because I knew it would throw people for a loop. To me, the whole novel is obscure, but the darkness in the first three-quarters is blanketed by humour and absurdity which puts the reader at ease, and when that blanket is lifted toward the end, it’s unsettling. It comes across as quite jarring, but the darkness was always there.

I mentioned in a previous answer that I was inspired by Joseph Heller’s Catch-22. I love how Heller used satire to draw attention to and criticise certain aspects of society and human behaviour. It’s the same tactic a magician uses, a slight-of-hand trick. 

In Island of Influencers, I said, “Look over here at this ridiculous, entertaining thing while I do something underhand in the shadows,” and then by the time the reader and the characters notice, it’s already too late. The seeds were sown from the first page and, in the end, we all must reap what we sow. 

Funnily enough, this is also a tactic used by those in power in our real world. What’s the best way to assert control over the masses without anyone noticing or putting up a fight? Distract the people elsewhere.

And as for Harper, does she regret becoming an influencer in the end? I think that’s open for interpretation. She got everything she ever wanted, her dream came true after years of trying to make it happen, but it came at a cost. Only the one who pays the price can decide whether it was worth it.

Personally, I would never want for myself what she now has. 

Some readers might feel cheated by the end, because of how obscure it is. But my intention was never to make the reader feel comfortable, but to show how easy it is to be deceived, even when you have all the clues laid out before you.  

I have just handed in book two of the Influencer series to my editor, and I’m super excited to dive into edits for this one. It follows different characters in the same world, trying to navigate social media in the days following book one. We do also get to see what happens to some of the characters from Island of Influencers, and you may be surprised by where they’ve ended up.

For now, that’s all I can say, but I will leave you with this little snippet that I think captures the vibe of book two perfectly: “Are you entertained yet?”

Monique was born and raised in the cold north of England on a diet of strong brews and thick gravy. Whilst growing up, she struggled to find her place in the world, so she vowed to create stories where those who don’t fit in can finally feel like they belong. When T.M. Turner isn’t writing, she can be found roaming the southern coast.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

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Interview: ’Til Death by Busayo Matuluko

’Til Death is a cosy-until-it’s-not mystery about a bride who is poisoned on her wedding day. After receiving threats telling her to cancel her wedding for over six months, her super sleuth cousin, Lara – who has a true passion for mysteries – decides to take it upon herself to solve the mystery of who is sending the notes and who has poisoned her cousin.

’Til Death came about after watching YouTube videos of Nigerian traditional weddings during the pandemic. I had a very morbid thought and said, “Wouldn’t it be crazy if she just died right now?” Now, that’s not a normal thought for a person to have, and I was like, “Busayo, that’s horrible… but as a mystery? Genius!” However, if I was going to write it, I had to know who did it, so I went to the worst-case scenario possible, and the story was born.

I wish I could say that I had a very intricate system and my own murder board like Lara, but unfortunately, it was a lot of back and forth editorially, trying to make sure everything fit in its place perfectly – especially because it was in such a short timeline. I had to make sure it was even possible to do this much in so few days. I will definitely be taking notes for my next book on how to keep a better system, I’ll just say that!

But to be honest, it was very easy to keep track of the characters because they lived in my head so naturally, and I very easily knew what one would say versus another. I also planted red herrings while I was writing, and a lot of them stuck, thankfully, through the editorial process. So, it’s nice to know that I at least did something right.

I think with weddings it would be hard not to include family dynamics and a huge cast of characters. When I set out to write ’Til Death, I knew that I wanted to introduce readers to not only Nigerian culture but Nigerian wedding culture, so the fusion of these was something I took much delight in.

Weddings already bring so much drama, but I feel like it is heightened when it’s a Nigerian wedding. You’ve got caterers arguing with mothers of the bride, and you’ve got guests moaning because they didn’t get enough party bags. All of these tidbits I definitely wanted to feature – I could write a whole book about weddings if you let me.

My favourite character to write, apart from Lara, would be Joseph. He’s just so annoying in the best way. I really loved finding pieces of dialogue that were extremely irritating but made a very good point. I also loved writing Seni and Derin’s feud as the wedding went on because I understood both sides equally. I see a lot of myself in Derin, in that I can be too trusting, but I understood some of Seni’s motives also – I can be just as petty, haha.

I think my interests with Lara align in the fact that we both love mystery novels. While I do like some aspects of true crime, I’m definitely not a buff like she is. I need to have a surge of energy to want to sit through a true crime documentary. But, of course, I feel as though if I were ever in the predicament, I could do it better than the criminals in the documentary.

It is funny that I say this because, at one point in my life, I did think I was going to be a forensic psychologist… but that dream was short-lived. Like Lara, my mum thought it wasn’t the best fit for me, but unlike Lara, she was right, haha.

Well, firstly, I hope they leave the book with a better understanding of sickle cell, but I also hope readers gain a new or better understanding and recognise the validity of invisible illnesses. These conditions can seem covert, even if it looks like someone’s life is fully under control and, in my character’s case, quite glamorous – but sometimes, there are factors they can’t control. I really hope it helps start up conversations about stigma.

So, I was writing before I became a BookTokker, but I used BookTok as an outlet to talk about my works in progress and get people excited about them. I can talk for days and will if you let me, so even when I didn’t think these books were going anywhere, I was still telling a lot of people about them –strangers, though, not my friends, because I felt embarrassed.

When I would post about my book, it made me want to continue writing because people were eager to read it based on just the basic premise. BookTok also helped me be introduced to my current agent, so in a way, I really have it to thank for helping me meet my agent, and then her to thank for everything after. It’s such a special little community.

  1. Put. The.  Words. Down. On. The. Page.
  2. Find what works for you and stick to it. You don’t need to listen to outside voices about their processes if it’s not going to work for you.
  3. There is someone out there that wants to read your story, and there is someone’s representation you will be fulfilling with your story.

I don’t think I am, but just for you guys!

My next novel is Desperate Housewives meets Devious Maids x Greenleaf.

If you are older (or just love nostalgic TV shows), it is based on the episode of Desperate Housewives where the wives have a dinner party at each other’s houses. Renee starts with drinks and appetisers, and Gabrielle ends with desserts… but when they get to Gabi’s house, there’s a dead body.

Set in Nigeria again, it will follow three housewives and their maids, with one character aiming to find out what they did with the dead body.

I think that’s all I can say.

Well, that and a familiar character will be coming back… and maybe going undercover.

GIVEAWAY

Like the sound of this novel? We’ve teamed up with Simon and Schuster to giveaway 3 copies of ’Til Death. Check out the details on our socials: Twitter/X (@paperboundmag) and Instagram (@paperboundmagazine). Giveaway ends 23:59 10/2/25. UK Only.

BUSAYO MATULUKO is a Black British-Nigerian nurse, YA/Crossover mystery and romance writer, and an extremely opinionated, award-nominated BookToker. As someone who grew up reading many books without the representation she desired, she started writing to fulfil that need. Her books are filled with vibrant Nigerian leads that talk too much, and she will always find a way to wriggle in two Black people falling in love. When she’s not writing, you can find her on Twitter at three a.m. tweeting her most random thoughts or binge-watching TV shows she’s already watched about a thousand times.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

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Interview: The Vulpine by Polly Crosby

The Vulpine is a dystopian novel set in a world where disability and chronic illness have been outlawed. Children born with any sign of illness are labelled as ‘Imperfect’ and sent to the ‘Hospital for the Imperfect’. If parents refuse to give them up, then they risk them being snatched away by The Vulpine – hooded, cloaked monsters who live underground and feast on Imperfect children!

Ora is fifteen years old, and as far as she knows, she is perfectly healthy. But then one day she learns that her parents have been secretly giving her black-market medication, and that she too is Imperfect. Forced to confront a very different and frightening future, Ora sets out to confront the Vulpine, and in doing so, begins to unravel a web of dangerous secrets.

I love the freedom of writing dystopian fairytales, and the world building it allows, which is very different to writing my historical novels. I wrote This Tale during the Covid pandemic, when I was classed as extremely clinically vulnerable, and it was a wonderful world to escape to when my own world had shrunk to the size of my house.

I find writing for teens more challenging than writing for adults, because I remember the books I read as a teenager, and they meant so much to me. They helped shape who I am, and I feel I have a duty to be honest with and mindful of my readers – but this only means writing YA is even more rewarding!

I didn’t realise quite how much I was writing about my own chronic illness until I was deep into writing this story. In past years, I have shied away from writing about my own health, but the pandemic really made me analyse just what it’s like to be seen as different.

I hope The Vulpine will make readers a little more aware of diversity and difference in our own world, because every person has much to give to society, in spite of their differences – and quite often, because of them.

I have always loved folklore and fairy stories, and even in my earlier books for adults I use magical realism to heighten the feeling of ethereality in my novels. I really enjoy the play between reality and fantasy – the thought of a ghostly world that we can’t quite see. To me, it feels so much more enticing than full on horror (oh, and also, I’m a wimp!)

As someone who sits alone for hours writing, I crave time with other people to balance out those times alone. Life is never black and white, is it? No one person is all good or all evil, and I like the idea that we can be fearful and anxious but still have hope and love. 

“Crikey, that’s hard!” – is that good enough?! OK, umm … 

Fear…hope…and claws! 

Never give up. It took me twenty years – and four complete manuscripts – to finally get published. But writing is not just a job. It’s a passion. To me, it’s like breathing – it’s something I have to do. My top tip is to write every day. Set aside half an hour. Use your phone to make notes, write snippets of dialogue, ideas, settings. A successful story for me comes from the amalgamation of three different things.

With The Vulpine, those were a world where disability is banned, a monster hidden beneath the ground, and a girl who thinks she is healthy, and whose world is turned upside down when she finds out she is not.

I often find dialogue really helps me get into what a character’s like. It’s not until they start talking to people – arguing, joking, crying, laughing, that I realise exactly who they’re going to be. Also, writing in first person is great because it gives you a real idea of a person’s internal thoughts.

As to which character inspires me the most, I would have loved to have read Ora’s story when I was a teen, as she is far more fearless than me – I’m not sure I’d set out underground in search of monsters that crunch children’s bones! 

I’ve just finished writing a new novel for adults, a witchy, folkloric book set 250 years ago. YA-wise, I’m currently planning my next teen novel. I can’t say too much about it at the moment, but it’s going to have a huge, sweeping romance, and I’ll be doing some strange things with time… 

Polly Crosby grew up on the Suffolk coast, and now lives with her husband and son in the heart of Norfolk.

Polly writes dystopian fairytales for teens and gothic historical mysteries for adults, her latest of which, The House of Fever, came out last August. 

Huge thanks to Laura Jones for preparing the interview questions. Laura is one of our regular contributors and her reviews feature in issues of PaperBound Magazine. Read her review of The Vulpine in our forthcoming spring/summer issue, out later this year.

Laura Jones is a secondary school teacher in Cornwall. She teaches English and Media and recently completed an MA in Publishing. Laura is part of a local writing group and hopes to eventually complete one of the many book ideas she has saved on her laptop, some of which are inspired by the Cornish landscape.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

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Refugee Week 2024: Seven Million Sunflowers by Malcolm Duffy

Could you tell us a little about your book, Seven Million Sunflowers?

This is a book I wish I didn’t have to write.

When Russia invaded Ukraine in February, 2022, it affected so many lives across the world. Including our own. Having joined the Homes for Ukraine scheme, and inviting the Marchenko family into our home, I discovered the strength, resilience and humility of the Ukrainian people. I learnt what it was like to have to flee a conflict, and adapt to a new country, new language, new culture.

This was the inspiration for my story, Seven Million Sunflowers.

This novel has many themes, from resilience and acceptance of different cultures to coping with post-traumatic stress disorder and the changing dynamics of a family, to name a few. Were any themes most important for you to include as the writer?

Writing is like making a meal – all the ingredients are important. But I think there was one key ingredient – acceptance. To what extent can you accept strangers in your home, accept the views of others, accept different cultures? This applies to both the hosts and the guests. 

The opening paragraph and description of the attack on Kateryno’s building is so vivid – the burst pipes, flames and fire grounds you in the present. What kind of research did you do to help write the book?

I wanted to start the book in as dramatic a way as possible. The story doesn’t reflect Sofiia’s escape from Ukraine, but it does reflect the experience of many Ukrainians, especially those living near the front line, like those in Kharkiv.

The idea for the chapter came from a real event where a Russian missile struck an apartment block in Dnipro, Ukraine. A young woman, Anastasia Shvets, was on the 5th floor of the building. 236 apartments were destroyed and many people were killed, including her parents, but she somehow survived. A photographer captured her, clinging to a small green teddy, as she sat in the rubble far above the city.

The topics you’ve written about must have been very sensitive to discuss with Sofiia. How did you both feel talking about what happened?

For me it’s important to remember that this is fiction, based on fact. It’s not Sofiia’s story or that of her family. I spoke to many Ukrainians when writing the story, as well as reading books and articles on the conflict. The characters are an amalgam of different people I’ve met, and stories I’ve heard.

Sofiia helped me understand the feelings of Ukrainians, the anger and sadness at having been forced from their homeland. 

It’s interesting how you describe both external and internal conflicts: the war in Ukraine and Georgia and Marko’s relationship under the same roof. What were some of the challenges you faced as a father inviting a family into your home?

The Marchenkos were a delightful family to have in our home. They kept themselves to themselves, were respectful of us and our home, and helped us when they could. The drama in the book came from stories I’d heard from various sources about problems between host families and their Ukrainian guests. Sometimes the host family were at fault, sometimes the Ukrainians. I wanted to reflect this in Seven Million Sunflowers.

Although this is a work of fiction, you’ve based the book on your personal experience. Do any of the characters in the book resemble you in any way?

I don’t think any of the characters in the book resemble me. Having said that I like to include elements of human nature that mean a lot to me – humour, empathy, kindness, understanding.

Are you working on anything new at the moment?

Yes, I’m working on a new YA book at the moment, but I don’t want to jinx it by talking about it!

The opening to this novel is very powerful. The description of everyday things such as the guitar, desk etc. all upside down amid the fear and the deafness is so vivid. I was almost choking from the smoke. How much of this was true to your story?

I was fortunate enough not to live too close to Russia unlike the heroine of Malcolm’s story. I am fortunate enough that my flat is still not damaged. But I think the early morning of 24th February was frightening for everyone. I woke up from the explosions. Although we all knew war was coming – I didn’t expect to feel it myself in central Ukraine so soon. My town is of an average size – it has 250,000 people. But even this small town experienced some damage during the ongoing Russian invasion. First missiles, then a few months later drones etc.

I was very frightened although I tried not to show it to my friends and family. On the day of the 24th, the first thing I did was go to the local corner shop and buy champagne and my favourite chocolate. This has always amused me but now I understand I probably was thinking they might be my last days on this earth so I’m gonna celebrate my life. After having those for breakfast I didn’t eat anything at all for the next 3-4 days.

Kat defends and protects her mother by not translating certain negative conversations. Did you ever have this experience?

We definitely didn’t have a negative experience with our host family. Malcolm and his wife and children are super sweet and supportive. But there definitely were some moments outside of our host family’s house (like dealing with the search for work and accommodation) that were stressful and I didn’t always translate everything to my mum for the sake of her wellbeing. I know she likes to solve problems and support me but with her not being able to speak English, it really left her feeling helpless and I didn’t want to add to that.

Malcolm and Sofiia

Was it difficult adapting to rules in someone else’s home?

As I mentioned earlier – our host family were super sweet and understanding. It wasn’t difficult to adapt to their rules, we are really lucky we met them. We are still friends and love babysitting for their lovely dog Layla sometimes.

What was hard for me was the lack of personal space which I always had growing up. I am an only child and my parents were working a lot, so I had a lot of moments being alone in the house. I am not used to having many people around, so this was hard. I always had some anxiety, even back in Ukraine when we had some guests visiting, so even though our host family were the loveliest and the most understanding people ever, I did miss being alone sometimes – this is an environment where I regain my strength and resources to carry on in difficult times.

How did it feel being in the UK, while people you knew and cared about were still in your homeland?

Definitely a lot of guilt. Feeling you are the lucky one who got away and survived and can carry on having a normal life.

What do you think of the final book, Seven Million Sunflowers?

I have read it and I do love it! I think it is amazing of Malcolm to address this issue through a powerful story like this, and it’s definitely a compelling and moving story. It describes all the difficulties a young Ukrainian teenager faces when escaping the war and having to live a ‘normal’ life while having loved ones in danger every day.

The book is excellent at describing the emotions of a person having to deal with all the mixed feelings of living in two different worlds on the same continent where one is full of chaos and death and other one is peaceful and carefree.

Do you still live in the UK? If so, what are you doing? What plans have you got for the future?

I still live in the UK. We are renting a flat with my mum in a nice area. Currently I am teaching piano classes, mostly to kids, and finishing my Communications degree online. For now, I just want to take time to think about what I actually want and what I am going to do next. To be honest, I didn’t have much time to think about that before.

Refugee Week runs from June 17th to 23rd 2024. Read more about it here.

Malcolm was born and bred in Newcastle upon Tyne and now lives in Surrey. After a typical Geordie childhood, his parents moved south and deposited him in South East England. Having acquired a Law degree at Warwick University he worked his way through a host of London advertising agencies, picking up numerous awards for copy, press, TV and radio.
Having left ad-land he worked as Creative Director of Comic Relief, creating campaigns for Red Nose Day and Sport Relief. It was at Comic Relief that he was inspired to swap copywriting for writing and wrote his first novel, Me Mam. Me Dad. Me. His books have all been issue based, with much of the information gleaned from his work for different charities – Comic Relief (domestic violence), Shelter (homelessness), Nessy (dyslexia) and Combat Stress (PTSD).
He’s supported in his efforts by his New Zealand wife Jann, and daughters Tallulah and Tabitha, who, under the threat of withholding pocket money, seem to like what he writes.
Find out more at malcolmduffy.com and follow him @malcolmduffyUK

Huge thanks to Jayne Leadbetter for preparing the interview questions. Jayne has also reviewed Seven Million Sunflowers in our Spring/Summer 2024 issue, which you can download for FREE here.

Jayne Leadbetter emigrated to Australia from the UK and is a high school teacher at a multicultural high school in Sydney, where she lives on the land of the Gadigal and Bidjigal people. She’s currently studying for a master’s degree in creative writing at university and is in the process of writing two novels, while enjoying the nature and the beaches of Australia with her huge dog Clifford.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

Blog, Blog series, Interview, Interviews, Writing craft

Interview: Maya MacGregor on YA book ‘The Evolving Truth of Ever-Stronger Will’.

This book was a lot like The Many Half-Lived Lives of Sam Sylvester, in that it was a way for me to tell a story like a roadmap for my younger self. There’s a lot of found family, a lot of self-discovery, and some spooky happenings that tie the narrative together.

The Evolving Truth of Ever-Stronger Will is a love letter to every kid who has been made to feel monstrous. While that takes place through a lens of a kid who’s neurodivergent and agender, I hope Will’s journey will resonate with teens who may not share those traits too. It took me a long time to learn the lessons Will learns—that an abuser’s projected image of them is not their truth—and I hope that Will’s perseverance, tenacity, and self-preservation will help model a way forwards for anyone in a similar boat.

It was the only way I could get across a very specific message that acts as a framing device for the story on several levels. I wasn’t sure I could get away with it, but it felt true to the story I wanted to tell. That feels a bit insufferable to write out, ha. But ultimately, I choose points of view to reflect emotional proximity to the characters. Which isn’t to say that third person can’t be emotionally resonant—it absolutely can—but first and second person each invite the reader much closer in a way that feels more intimate to me. Others may disagree, of course!

One of the things I’ve mentioned at a few in-person events is that a certain plot point that happens right at the end of, I think, chapter three or four had an absolutely eerie reflection in my own personal life. I paused writing just after that, a paragraph or so into the next chapter (which was smack in the heart of the emotion still) and put the book aside for a filmmaking project and a choir trip to Austria, and in the time I was away, I discovered via Ancestry.com DNA that my biological father was someone entirely different to who I thought he was. If you read the book to that point, you can probably understand how when I went back and read into my progress to get my bearings, I had to go take a few minutes to collect myself.

Will is very much like me on many levels—agender, an undiagnosed autistic teen (I was a teen once!), the product of a lot of upheaval and poverty—and the emotion of having written a different (but just as emotionally impactful) revelation bare months before I experienced my own welded this book to my heart in a way I don’t think anything else could have. My estranged biological mother is not Francis and was not physically abusive like that, but she did keep some whoppers from me, and over the past few years, like Will, I’ve been sorting through all that. I’ve also been privileged to meet and form a very loving relationship with my biological dad, and we’ve been making up for thirty-four years of lost time.

Without a doubt, Will, Raz, and Julian. I love Matt and Hannah as well, of course, but gosh, I adore Julian and Raz so much. We all need people who see us for who we are without us having to offer a university-level course in how to relate to us, and it was very important for me to model that with those characters. I also want Raz and Junius Sylvester to be best pals!

Absolutely. As a wee anecdote, we’d actually trunked both of my YA books because they bounced off editorial boards for the use of they/them pronouns (and non-stereotypical autistic phenotypes, to boot) in 2017-2018 when I wrote the books. My first ever agent, Jes Negrón, had since gone into editing at BMK (now Astra Books for Young Readers), and when she started acquiring YA, she came straight to me and my new agent Sara Megibow, knowing I’d a trunked manuscript. If she hadn’t been so keen to work with me again, I don’t know that these books would exist.

I cannot count the number of messages I’ve received from readers saying that they have never seen themselves represented in fiction before now. That’s heartbreaking in a lot of ways, but in others, it’s such a relief for me to hear. I had to write the books for them to exist, as did so many of my contemporaries who are doing just that these days. Now there are many more chances for this moment to happen at younger ages! Things are changing for the better, albeit slowly and not without a lot of pushback.

Alas, I don’t think I’m allowed to say much, but I will say there’s a Gaelic-heavy YA fantasy in the works, set in my beloved Argyll in the Gàidhealtachd. It’s a story about belonging, magic, the sìthichean, and intergenerational language transmission. Gaelic music and culture informs my entire life; I use the language every day, and our cultural practices are the foundation of my entire sense of home. I hope to bring some of that to the wider world from the perspective of someone who lives and breathes within that sphere.

Plus, the book also has an agender autistic protagonist—and a genderfluid shapeshifting sidhe prince for a love interest, so what’s not to love? 😉

The book is done, and I truly hope to have news about a publisher and publication timeline soon! I’m absolutely itching for folk to meet Cam and Ezra.

Maya MacGregor is an author, singer, and artist based in Glasgow, Scotland. A fluent Gaelic speaker, Maya is active in many community activities in Gaelic music as well as writing contemporary YA and adult fiction (as Emmie Mears and M Evan MacGriogair). Maya has a degree in history and is passionate about writing the stories for teens they wish had existed when they were younger and fills them with the type of people who have always populated their world.
Their pronouns are they/them.
The Many Half-Lived Lives of Sam Sylvester was Maya’s first YA novel and was a finalist for the Andre Norton Nebula award and the Walden Award. The Evolving Truth of Ever-Stronger Will, Maya’s second YA, came out Halloween 2023.

Caitlyn is a young reader from Cornwall who is a proud member of the LGBTQIA+ community. They enjoy reading stories about young people like them, as well as fantasy novels. They surround themselves with media that includes the LGBTQIA+ community, so this book fit right in with their bookshelf.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

Blog, Blog series, Interview, Interviews, Writing craft

Interview: Jennifer Burkinshaw on her new YA book ‘Happiness Seeker’.

Happiness Seeker tells the story of just one week’s sixth form field trip to the beautiful but lethal Morecambe Bay. On her very first afternoon, Allie meets a mysterious lad on the shore which changes the lives of everyone involved. One reviewer has described Happiness Seeker as a ‘thriller-mystery-love story’ which does sum it up its genres neatly; I’d add in ‘tragedy’, as the prologue tells you someone is lost in the vast, dark seas of Morecambe Bay.

Places seem to be what spark a story in me, both in my debut Igloo and Happiness Seeker. Visiting my parents in Grange-over-Sands on Morecambe Bay so often; learning about the history of the Bay and seeing people, every day, still walking out onto the treacherous sands despite all the warning signs. Before my parents even moved there, though, I once took a Drama group to a hostel near Grange to rehearse, which is pretty close to the set up in the novel; however, none of my group broke every rule in the book and we all went home safely.

At the heart of the story is what could be described as a political issue which particularly concerns me, so I recruited the advice of the charity Unseen during my writing process.

Map and plan of the novel’s setting by Douglas McCleery, architecture student

I first started to feel an irresistible pull to write about twenty years ago and knew I had to start to learn the craft, an endless journey, of course. Since I still feel seventeen in my head, writing for young adults was a natural move to me; I love the intensity of feeling you need to create in YA fiction; the need to be immediate and and pacy, as well as reflective; I love how so much of YA fiction deals with first and life-changing experiences for its characters. So, I did an MA in Creative Writing for Children at Manchester Met; after that I joined the Golden Egg Academy and was mentored by Imogen Cooper. I count myself as extremely fortunate that then Debbie McGowan, my genuinely brilliant editor and publisher at Beaten Track, offered to publish my debut, Igloo, and now Happiness Seeker.

As a former Drama teacher, I couldn’t resist creating a group who, having to script a piece for their A Level, choose to write it about Morecambe Bay and the many who have drowned there over the centuries. These past tragedies soon bleed into the present of the story. I also include some reference to Arthur Miller’s A View from the Bridge which Allie is reading that fateful week; Miller is my favourite playwright but, also, the action of his tragedy has some echoes in the story happening ‘now’ in Happiness Seeker.

Map and plan of the novel’s setting by Douglas McCleery, architecture student

What was really tricky was to work out what Mareno would reveal to Allie and when – especially since he has such compelling reasons not to tell her his whole truth. I spent ages thinking what he would least mind Allie knowing and what he’d try to keep from her at all costs. I hope he intrigues the reader; I tried so hard to see him through Allie’s eyes – what draws her to him even as she finds him such a ‘dark horse’.

Allie has a painful rivalry with Courtney, a girl in her drama group who has bullied her since Allie joined the school late in Year 9. To some extent, I am like Allie – quieter, on the fringe of groups and I do remember girls at my single-sex school who could be cutting like Courtney. Allie’s best friend is Finn but unfortunately, he falls for Courtney which causes Allie a lot of heartache. I haven’t experienced having a boy as a best friend but I relished creating their deep friendship which is at the heart of the story just as much as Allie’s new relationships in Grange.

I need to get back to ‘Going West’, a story told from the POV of a member of each of three generations in a family who move from Essex back to the mum’s childhood home in Wales. I’m toying whether to tell some of it in verse …

Jennifer’s debut book is Igloo, a winter coming-of-age story of first love set in the French Alps and Lancashire, where she grew up. Happiness Seeker is her second book.
Now, she’s a bit of a nomad – loves spending time by the sea as much as in the mountains and with her growing family.
You can visit her website here.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

Blog, Blog series, Interview, Interviews, Writing craft

Interview: Author Jennifer Claessen chats about her new book ‘The November Witches’.

The November Witches picks up Clemmie’s story immediately after all of the things she did – and feels bad about! – in October. She’s expecting a magic-free month and all of the witches are mostly miserable about it but, of course, magical mayhem is about to ensue. It’s up to Clemmie to learn to speak up for herself and the young hags though, as it’s only together that they can fight back against the fires and knights plaguing them.

Thank you so much! And yes, I was already thinking about Bonfire Night and marshmallows and a strange knight knocking on the door even as I wrote The October Witches! November doesn’t always get the festive love that October and December get but it’s an amazing month for forest walks. I moved house just before writing this book and now live on the edge of an incredible, ever-changing forest which definitely inspired the story.

My family is costume-obsessed so we usually dress up at least three times for Halloween, always cute, never creepy! This year one of our fancy dress outfits was the ‘soot sprites’ from My Neighbour Totoro which was pure chaos and so fun. Toasting marshmallows outdoors is a must of course. Like the Merlyns, I have mixed feelings about fireworks but I love a bonfire. Oh, and Pie Night, like Aunt Connie creates, is essential too! Autumn clothes are the best too – the season begins for me when I put on a scarf and a big pair of boots, or for Clemmie and her coven, a binbag.

In The October Witches, Clemmie wrestles with coming into her power but now, in a magicless November, she’s struggling with using her voice. I write generally knowing the ending as I love a big, busy, bustly finale where the covens get together and finally sort out their problems! I think this is officially a spoiler but, just between us, there’s a dragon in The November Witches, too hot to even touch, and she was a surprise!

I love everything magical! I’m currently reading The Thief of Farrowfell Hall by Ravena Guron which has a really cool magical system as the magic is edible. I love the world which is believable and compelling and the magic itself, though it often sounds disgusting to eat!

I’m always super happy digging deep into some magical research! For the whole ‘A Month of Magic’ trilogy I did lots of reading about the old, wise, male Merlin (versus my young, self-conscious and female Merlyns!) and what happened to him. I’d never even heard of ‘Avalon’ where some Arthurian scholars believe the Once and Future King will still rise again from but became pretty fascinated by it. For The November Witches I went to the Fitzwilliam Museum in Cambridge to be completely surrounded by armour and imagine what it was like to be a knight – mostly pretty uncomfortable it turns out!

Well, now we’re this deep into autumn, we have to finish the trilogy! The December Witches comes out in 2024 and I’ve just had a sneak peek of early cover designs and it is looking gorgeously sparkly and snowy! Writing-wise, I’m working on new myth-inspired tales, this time set in Ancient Greece – and in a summer holiday!

Photo by Jack Barnes

Jennifer was born in Reading and grew up a book worm. She studied literature and theatre at the University of Sheffield, the Chinese University of Hong Kong, Canterbury Christchurch University and Central School of Speech and Drama. A teacher and theatre-maker, Jennifer loves stories, especially for children, whether on stage or page. Jennifer currently works in the West End, taking children to the theatre and lives in the East End with her partner, a Dutch toymaker, and their baby daughter. She loves reading, travel and ice cream. You can find her on her yellow bike or in a red velvet seat in the stalls, applauding.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.

Blog, Blog series, Interview, Interviews, Writing craft

Interview: Rebecca Barrow on YA Thriller ‘And Don’t Look Back’

Thanks for having me! And Don’t Look Back is a twisty thriller that centres on Harlow, a girl who has spent her entire life on the run. When her mother is killed in a car accident, Harlow is left to unravel the secrets of her life and her family all alone.. 

I really love writing about mothers and daughters, and I thought it would be interesting to explore generational trauma—how a girl like Harlow is shaped by her mother’s experiences, and how she deals with that while at the same time struggling to figure out who she is in the same way all teenagers do. I really enjoy writing older YA because that time in life is so interesting—you’re on the precipice on adulthood but still a kid, at the same time. And like Harlow, a lot of teenagers are dealing with really heavy things like the loss of a parent or mental health struggles or a million other things, and I think it’s important to acknowledge those things.

It took a while to come together but once the planning was done, the writing came quite easily. I usually don’t like to plan too much because I like discovering things through the writing, but often writing a mystery means you need to plan, so it’s about finding the right balance for me. Some of the plot aspects had been in my head for years just waiting for the right story so it really was a mix of long term planning and figuring some things out as I went!

Yes, I actually really do! I don’t think I will ever run out of ideas, but I do find they sometimes take a while to come to me. I’m definitely not one of those authors who have so many ideas that the main struggle is choosing which one to work on, but I think needing to let things develop in the back of my mind can also be really beneficial. I don’t see myself ever not writing. 

I write in twenty-minute blocks and use a program called Freedom to block the internet while I write, otherwise I would never get anything done. I usually have a word count goal so I just keep writing in those twenty minute slices with breaks in between until I have the words! I like to use different playlists for different books, to help me get in the right headspace, and that’s about it! 

I have mostly always wanted to be a writer but I did entertain the idea of several other careers—nurse, fashion designer, and choreographer were the big three! But it was mostly always writer for me.

Rebecca Barrow is the critically acclaimed author of And Don’t Look Back, Bad Things Happen Here, and several others.
She is a lover of sunshine, Old Hollywood icons, and all things high femme. She lives and writes in England.

PaperBound Magazine is an online magazine for the young, and the young at heart. We are dedicated to showcasing authors and illustrators for children’s and young adult fiction and we strive to deliver inspiring content, uplifting stories, and top tips for young and aspiring writers yet to burst on to the literary scene.

All our issues are completely free and run by volunteers, however if you would like to support PaperBound and the work we do, you can help us out by buying us a virtual book. We appreciate any support you can give us!

Don’t forget you can read with the latest issues of PaperBound Magazine – completely free – here.